Since 1941, laws for songwriting copyrights pretty much haven’t changed. It’s because of the copyright protection that songwriting and licensing is controlled through the government, which should pretty much explain why change has been hard to come by. However, a new proposal is in the works which is called 100 Percent Licensing. The gist of this law is that any songwriter or producer for a song is able to give consent for the song to be used however someone has requested. As the law is written now, writers and producers must agree for a song’s use in a commercial or streaming site. If they don’t agree, then a producer or songwriter can still agree for their particular work on the song to be used, but not the whole song.
Saving Country Music wrote a great exposé on the situation that I encourage you all to read. I mainly encourage this because I will not be going into much depth here; I don’t want to be repetitive because I’m still learning about the law and implications should it be passed. The big black cloud hanging over this new law are streaming companies like Pandora, Spotify and Google pushing for the change. What this means is that should the law be passed, Spotify can possibly get songs onto their program at a lower copyright cost to them, which will help maximize profits.
Taylor Swift is an artist who’s been more vocal against music streaming than just about anyone else. She doesn’t want her music on those applications, but any of her co-writers could potentially get the music on there with the 100 Percent Licensing law. So if Max Martin wants “Blank Space” or “Shake It Off” available on Spotify, he can make that decision as a co-writer, and Taylor Swift would have no say to the contrary. Essentially, this is a law that’s meant to benefit the streaming sites and subsequently further marginalize the songwriters. Everyone working in the music industry agrees that a law like this would be a terrible move, but unfortunately the final decision rests with the folks in Washington D.C.
Whether or not the law is passed, what is clear is that streaming companies are looking for that next big rise in cash flow. The leaders of these companies want money, that’s it. Streaming companies like Spotify are slowly gaining more traction and control in the music industry. And as we’ve said time and time again on this site, there needs to be a change in the way these companies payout artists and writers.
One suggestion I have is making streaming something you pay for no matter what; get rid of free streaming. Spotify should at least charge users $4.99/month for access to what is now free streaming. Call it a standard subscription, then charge those wanting a Premium, non ad-based subscription more than that. They can keep it at $9.99 or boost it up a few dollars. This would accomplish one of two things. Either greedy music fans will refuse to pay five bucks a month for streaming and go elsewhere (back to radio?) for free music, or Spotify brings in a ton of money with all of their millions of users now paying for access.
If the second option were to happen, then perhaps a company like Spotify can afford to payout artists better while still maintaining their salary at the top.
That’s just one idea I have for a way to start improving the streaming problem that’s growing. And I get that these CEOs want artists like Taylor Swift to be available on their service in order to get fans to listen to Taylor Swift through their platform. They’re business people first, and this is a move in an effort to improve their business from their point of view. But these companies are merely looking for ways to get more money without a care for how their actions will affect the music industry. There’s no way to know how this will actually affect the way music is produced, but a drastic change in copyright law will certainly dictate a change from producers, singers, writers, and labels.
Upcoming/Recent Country and Americana Releases
- Texas country singer/songwriter Sean McConnell will release a new self-titled album tomorrow.
- Mark Chesnutt’s Tradition Lives will also be released tomorrow.
- Next week, David Nail’s Fighter will be released.
- Big Shoals’ Hard Lessons will also be released next week on July 15.
- Kenny Chesney’s newest album has been pushed back for release until October.
Throwback Thursday Song
“Hell on Heels” by Pistol Annies. Country super trio consisting of Miranda Lambert, Ashley Monroe, and Angaleena Presley, the Pistol Annies have released two albums. This was the title track of the group’s first album in 2011. I wouldn’t hate it if we were treated to a third album from them soon.
Non-Country Suggestion of the Week
Blink-182 California. Punk rockers Blink-182 released a new album, their first album without singer Tom DeLonge. Matt Skiba from Alkaline Trio joins the band taking the lead vocals on this new album. As an album, I like California; I think it has a good sound to it. It’s hard for me to call this Blink-182 because I associate that band primarily with DeLonge’s vocals.
Tweet of the Week
Farce the Music is 8 years old today, and so is our sense of humor.
— Farce the Music (@Farcethemusic) July 5, 2016
Eight great years of making fun of crap and supporting good music.
Steven Tyler’s first country solo album will be released tomorrow, and Jerek Naim apparently believes it’s the best country album of all time. There are no words for how dumb of a claim that is. Any album with “Red, White, and You” on it is no where close to the best.